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A still from a documentary-style interview featuring Chloe Ayling. She is seated against a solid blue background with her blonde hair pulled back, looking directly at the camera with a composed expression. She is wearing a light-green blazer over a black top.
A still from a documentary-style interview featuring Chloe Ayling. She is seated against a solid blue background with her blonde hair pulled back, looking directly at the camera with a composed expression. She is wearing a light-green blazer over a black top.
A still from a documentary-style interview featuring Chloe Ayling. She is seated against a solid blue background with her blonde hair pulled back, looking directly at the camera with a composed expression. She is wearing a light-green blazer over a black top.
A still from a documentary-style interview featuring Chloe Ayling. She is seated against a solid blue background with her blonde hair pulled back, looking directly at the camera with a composed expression. She is wearing a light-green blazer over a black top.
A gritty composite image, likely for a true-crime documentary. It features a grim close-up of a woman with glasses on the left and a troubled-looking man on the right. The central panel that separates them is a distressing image of the word "HELP" and a child's drawing scrawled in red crayon on a dirty wall.
A gritty composite image, likely for a true-crime documentary. It features a grim close-up of a woman with glasses on the left and a troubled-looking man on the right. The central panel that separates them is a distressing image of the word "HELP" and a child's drawing scrawled in red crayon on a dirty wall.
A gritty composite image, likely for a true-crime documentary. It features a grim close-up of a woman with glasses on the left and a troubled-looking man on the right. The central panel that separates them is a distressing image of the word "HELP" and a child's drawing scrawled in red crayon on a dirty wall.
A gritty composite image, likely for a true-crime documentary. It features a grim close-up of a woman with glasses on the left and a troubled-looking man on the right. The central panel that separates them is a distressing image of the word "HELP" and a child's drawing scrawled in red crayon on a dirty wall.

Film, TV & Documentary, Editor

Film, TV & Documentary, Editor


An ACE winning editor, Shane has worked on films that have earned Emmy, RTS, BAFTA Scotland, and Broadcast Awards, alongside many nominations for BAFTA, RTS, NTA, and Broadcast Awards.


Based in London, Shane masterfully blends narrative depth with compelling visual flair, ensuring every project is both accessible and impactful. His unique approach to video editing is shaped by a foundation in English Literature and Media Studies in Dublin, a city celebrated for its rich artistic heritage.


Not just an editor – a storyteller.

An ACE winning editor, Shane has worked on films that have earned Emmy, RTS, BAFTA Scotland, and Broadcast Awards, alongside many nominations for BAFTA, RTS, NTA, and Broadcast Awards.


Based in London, Shane masterfully blends narrative depth with compelling visual flair, ensuring every project is both accessible and impactful. His unique approach to video editing is shaped by a foundation in English Literature and Media Studies in Dublin, a city celebrated for its rich artistic heritage.


Not just an editor – a storyteller.

‘Think like a wise man but communicate in the language of the people.’

‘Think like a wise man but communicate in the language of the people.’

WB Yeats

WB Yeats

An abstract background image with a fine, grainy texture. It features a soft gradient of colors, with warm tones of rust-orange and beige on the top and right edges, blending into a dark charcoal-grey that fills the center and bottom of the frame.

Beyond Docs

As well as Shane's expert documentary work, he has worked on a number of critically acclaimed short and feature films.

  • A still from a film with the title 'THREE THINGS WE WON'T TALK ABOUT' overlaid in the center. The image shows a man smiling directly at the camera as he sits at the head of a long, candlelit dinner table. The room is dark and atmospheric, illuminated primarily by the warm glow of the candles on the table and in the background.

    Three Things We Won't Talk About

    A woman comes to realise how she has compromised her own wellbeing for her crumbling relationship, with dark consequences.

    Watch Now

    Best Editing Nomination

  • An illustrated movie poster for the horror film "Shhh". The dark, painterly artwork depicts a young child covering their eyes in fear. Looming behind and above them is a large, menacing, spectral figure that seems to be formed from smoke. The film's title, "Shhh," is written below in a wispy, ghostly font, and the overall mood is dark and suspenseful.

    "Shhh"

    by Freddy Chavez Olmos & Shervin Shoghian

    Watch Now

  • Cry Rock

    The wild beauty of the Bella Coola Valley blends with vivid watercolor animation illuminating the role of the Nuxalk oral tradition and the intersection of story, place and culture.

    IMDb

    ★★★★

  • A still from a film with the title 'THREE THINGS WE WON'T TALK ABOUT' overlaid in the center. The image shows a man smiling directly at the camera as he sits at the head of a long, candlelit dinner table. The room is dark and atmospheric, illuminated primarily by the warm glow of the candles on the table and in the background.

    Three Things We Won't Talk About

    A woman comes to realise how she has compromised her own wellbeing for her crumbling relationship, with dark consequences.

    Watch Now

    Best Editing Nomination

  • An illustrated movie poster for the horror film "Shhh". The dark, painterly artwork depicts a young child covering their eyes in fear. Looming behind and above them is a large, menacing, spectral figure that seems to be formed from smoke. The film's title, "Shhh," is written below in a wispy, ghostly font, and the overall mood is dark and suspenseful.

    "Shhh"

    by Freddy Chavez Olmos & Shervin Shoghian

    Watch Now

  • Cry Rock

    The wild beauty of the Bella Coola Valley blends with vivid watercolor animation illuminating the role of the Nuxalk oral tradition and the intersection of story, place and culture.

    IMDb

    ★★★★

Clients

© Shane McCormack Editor

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© Shane McCormack Editor

|

Design by Opposite

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Privacy

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© Shane McCormack Editor

|

Design by Opposite

|

Privacy

|

↑

Featured

Credits

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Featured

Credits

Contact

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Featured

Credits

Contact

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Featured

Credits

Contact